Summary: “Trail of Broken Wings” reveals the lasting and varied impacts of abuse on a family, primarily through three sisters who converge around the sickbed of their comatose father. The author, Sejal Badani, switches the narrative voice between three sisters, enabling the reader to build up a more rounded understanding of each one.
Message: Abuse can have profound and lasting impacts, that will manifest differently for different people. Where abuse divides families, redemption must be sought through developing empathy and togetherness.
Highlights: There’s a nice twist near the end, that reveals another side to a character in whom reader’s may otherwise have been disappointed. Of course, I won’t spoil it by letting you know which character.
Limitations: For me, there were three major limitations or disappointments.
Firstly, when the reading the book, I felt like I was watching fairly low budget television series. The focus was much more on the characters than on the plot, but the characters were somewhat flat. Some of the plot elements felt melodramatic, leaving me with the same impression I get when looking at a photograph that has been over-sharpened and the colours over-saturated in the editing process.
The second limitation is the way in which the subject matter is explored. Arguably Chimamanda Ngozi Adiche’s “Purple Hibiscus” explores a very similar theme – though with a stronger religious bent – in a much more sophisticated and impactful way. This is not to say that literature should be composed of one definitive work per theme! But Badani’s offering repeatedly made me reflect on how much better Adiche’s novel is. Reading “Trail of Broken Wings” felt like wearing an uncomfortable pair of trousers while having a perfectly comfortable pair in the wardrobe.
I’m not sure why I’m so keen on similes, today.
Thirdly, in selecting the novel, I really hoped that Badani would offer more reflections on the central family’s experience of migrating from India to the United States, making their way in life as both “outsiders” and US citizens. Unfortunately, she failed to deliver on this. M. G. Vassanji’s “The In-between World of Vikram Lall” remains the most nuanced and beautifully articulated exploration of this theme that I’ve read so far. Of course, Albert Camus’ “L’étranger” is also brilliant in its own way. Its aesthetic is somewhat stark and sun-bleached, which doesn’t feel as nourishing or as earthy as Vassanji’s work.
Concluding thoughts: I’m interested to see how Sejal Badani develops as an author. “Trail of Broken Wings” is her debut novel, so we can expect it to be quite personal and rough around the edges. (Though there are certainly exceptions to this, such as Zadie Smith’s “White Teeth” – also a debut novel, but an absolute masterpiece).
I’m not sure what to take from the fact that the deficiencies of Badani’s novel brought to mind so many excellent works of fiction. Perhaps it speaks to the privilege many of us enjoy, being able to read and digest novels from such a vast array of authors, covering myriad themes? Equally, it could serve as a reminder that there’s real value in selecting one’s reading material based on recommendations from people you trust, rather than simple searching the Kindle Store.